Yves Mettler thelabel@hotmail.com Twilight is the moment when history begins its resistance to projection. New York is the projection space. Figures standing there, blocked in a movie frame, fixed in a posture. They are just types projected in a possible genre. They are sliding by, one after another. Between, it is necessary to invent a story. The idea was to comment the artist's situation at this exhibition, but also more generally, the actual impossibility to take place in an ideology (to face the upcoming capitalism) and the necessity for each individual to re-create his story. This story-telling need is also strongly implemanted in New-York : Every person has a personal story to tell that makes her special, specific, different. By taking out images of movies telling stories, I wanted to bring in the possibilty to re-invent other stories, and point out that process for the artistic production. Born 1976 in Morges,Switzerland. Education 1995 Baccalaureat in science, Switzerland. 1996 Studies in fine arts at the Ecole Superieure des Beaux-Arts de Geneve, Geneva, Switzerland. 96-97 Painting class of Guarnera. 97-98 Painting class of Jean-Luc Manz. 98-99 New media class with Enrique Fontanilles. 99-00 Exchange program at the Academy of Fine Arts, Vienna, Austria, masterschool of Peter Kogler. 96-2000 Working on Walter Benjamin's corpus, especially on technique and media. Productions Exit the dream, informatic game based on writings produced in Walter Benjamin seminar, Geneva, 1998 10,48, sound installation, Paleo music festival, Nyon, 1998 Website of Mire gallery, Geneva, 1999 Underline & An Artist's collection, installation and publication with morphingeneva, at Mire and Airbag, Geneva, 1999 Chair, with General Document, art basel ’99, 1999 block, apex art, New-York and www